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Analytics Analytics. Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics the number of visitors, bounce rate, traffic source, etc. Advertisement Advertisement. He would craft one of the better albums from No Limit, but if I could have one gripe about this project personally, it's that there are too many features.

Usually, when you see a large number of features on a No Limit album, you don't mind because the truth is, those are needed for the artists like Silkk The Shocker, Master P, or even C-Murder. For artists like Fiend, Mystikal, or Mac, they weren't necessary. Serv-On, Snoop Dogg, and Fiend were welcomed, it's Mac who controls the show most of this album with his concise lyricism and his hit song aspirations.

They could have cut perhaps 5 to 6 songs off of this album, but that's the story with just about every No Limit album. This was a solid project from Max and with a gold plaque for this album, I would say it was a win for The Tank. Before the huge No Limit rush took over, this album started to put them on the map.

It was the shifter that Ghetto D would turn out to be, but it would take things slightly further than Ice Cream Man setting the tone for the future of the Tank. This was a double album no idea why , and it was one of the more concise projects in the early No Limit days, with some huge hits in the street and some on the charts.

Despite needing to trim the project down a bit of course, there are some dope songs like the hilarious single "I Always Feel Like" which samples the infamous Michael Jackson penned song by Rockwell "Somebody's Watching Me" with one of the most offbeat verses ever from Silkk The Shocker, but somehow it works. While his success was halted due to legal issues at some point, he was a solid artist for the Tank and his best overall album IMO is this one.

Although there isn't much versatility in the No Limit circle, production wise, C-Murder has a pretty good ear for beats and it shows on this production. My only true gripe with this album is that it's ridiculously long for no reason, with 26 tracks.

I love No Limit, but there is never ever a time that I want to hear an album full of 26 tracks from anyone on that level. Still, this is a solid release. While Ghetto Fabulous isn't a classic, it is remembered by more casual fans of the No Limit movement, but this is the better album of the two. Unpredictable lives up to its name, as it showcases Mystikal at his absolute best and most unhinged lyrically, which is exactly what you want out of an artist of his caliber. Production wise, this album is one of the more concise from the label as the energy level of the beats have to match Mystikal and his energy.

Lyrically, Mystikal is more an abstract writer, as he doesn't necessarily have what most would call "bars", but his verses were always enjoyable and fun to keep up with. There are just the right amount of features and just enough songs to where it doesn't get too long winded, and that makes Unpredictable one of the best albums to come out of the No Limit era.

At one point, Silkk used to follow me on Twitter until some jokes about his offbeat flow caused that to come to an end. Still, all jokes aside, it was amazing how Silkk could still make enjoyable music while never rapping on beat. Of all the albums he took part in, his best project was released in February and features some heavy hitters for guest appearances. This album would end up being a success commercially as well, cracking the top 5 of the Billboard charts and finishing with a platinum plaque, almost reaching double platinum status, racking up yet another win for The Tank.

She is one of the more underrated females in hip hop history, and although her style was more raw and rugged than the average women in the genre, she delivered on just about every song she took part in.

This album was full of guest appearances and booming production, which was the No Limit way of doing things. Mia X wasn't a lyrical genius or the best female rapper, but she knew how to deliver an enjoyable album, and that's exactly what she did here. While Ghetto D really started the huge No Limit wave, the end of that chapter felt like it was near at the time that this album was released.